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2.5.24 Monday - Re-Acquired Paintings 1 and 2 of 10 This week I’ll be sharing two pieces of original artwork per day, pieces I’ve just recently re-acquired from exhibitions, or no longer in direct rotation for some of the more competitive show opportunities I’ve been pursuing. While the work itself isn’t brand new - what I’ll be offering this week will be a bit of information about how the pieces came about, or other tidbits about each. All the pieces are, as of this writing (the previous week), available through my website store. Additionally, if you ever see something on my site yet you cannot find it in the Available Works section of my website, just ask me about it, by replying to one of these emails, using the contact page of my website, or sending me a new email at David@DavidOSmithArtist.com Today’s pieces: “Plein Air, Waves and Clouds at Alki, ~3-4pm, Windy, 2.7.23,” watercolor, 30 x 42”, 2023 The day this painting was made remains one of the most spectacular weather days I’ve seen since moving back to seattle two years ago. I love painting at Alki Beach, as no matter what time of day or season of the year, Alki offers vast expanses of water framed by beaches, boats, wildlife, and ever-dynamic skies. The wind was blowing furiously, straight at me, whipping up a salt spray from the water. I was elevated about 10 or 12 feet above the water level of Puget Sound, and the waves were about 4 feet tall, just huge for this body of water. The sun was behind a rain cloud, lighting it up in a glowing rust hue that had to be seen to be believed. I loved how faint the distant shorelines became. The tilted horizon line of this piece was not intentional, but a by-product of the setup I chose, at an angle to the direction of the wind and the concrete sea-wall. The glare of the sun was so incredibly bright, and the effect on the waves around it was to darken and intensity their violet and aqua-phthalo blue hues. Multiple times I had to desperately catch and secure my large 30 x 42” painting board (with this painting taped to it), because the wind was so violently strong it threatened to rip it from my hands. I worked with one hand holding the board down, paintbrush in the other.
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